AI 图片生图提示词精选库

[BRAND NAME]: {fill in} [CAMPAIGN / SERIES]: {fill in} [MAIN TITLE]: {fill in} [TAGLINE]: {fill in} [DEPTH SYSTEM]: {nested frames / converging perspective / stacked levels / layered slabs} [PRIMARY COLOR]: {fill in} [ACCENT COLOR]: {fill in} [NUMBER OF PEOPLE]: {6–8 adults} [ASPECT RATIO]: {9:16} Create a high-end multi-person editorial campaign poster where depth and perspective become the main design system. Build the scene around one strong spatial structure, such as nested architectural frames, lines converging toward a vanishing point, irregular stacked platforms, or large horizontal layers. The architecture should immediately create a clear foreground, middle ground, and background. Place multiple adult figures at different distances and heights within the same coherent perspective field. Their scale must change naturally with depth. Use one or two strong foreground figures, several smaller midground figures, and a few distant figures. Avoid evenly spaced people, grids, lineups, or team-photo compositions. Make people and architecture physically overlap. Some figures should pass through frames, disappear behind walls, be partially hidden by platforms, appear between layers, or emerge from deeper spaces. The result should feel like one real photographed environment, not separate people pasted onto a layout. Integrate the main title into the architecture whenever possible. Let typography follow the perspective of a frame, wall, platform, or structural edge. It may change scale, become partially occluded, or stretch across several depth planes, but it should remain readable. Keep the environment minimal and sculptural. Use large geometric forms, controlled negative space, one dominant color system, realistic directional daylight, and consistent architectural shadows. The spatial idea should still read clearly at thumbnail size. Use realistic fashion photography for the cast: natural skin texture, believable anatomy, real hair, accurate hands and feet, natural fabric folds, varied poses, and subtle movement. Avoid duplicated figures, plastic skin, floating bodies, or overly staged model poses. Supporting typography should stay minimal and secondary. The final image should feel like a real contemporary fashion, cultural, or brand campaign where people, architecture, type, and perspective are all part of the same composition.

3:4 aspect ratio, head-to-shoulder composition, lying on bedsheets and pillows, top-down composition, looking slightly upwards, expression of biting lips and enduring, flushed cheeks, hands raised above head Negative: quilt

3:4 vertical, realistic retro environment fashion portrait, adult East Asian female, 20 to 30 years old visual state, tall and slender, fair and natural skin tone, East Asian natural bone structure, stunning but recognizable, no internet celebrity face, plastic surgery face, or AI fake face. The scene is a real slightly old public restroom, light cyan-blue small square tiles cover the walls, continuous white wall-hung sinks on the left, silver faucets, soap dispensers and exposed drainage pipes, large area mirrors above repeating the space, rectangular metal access panels kept on the wall, ordinary white public facilities on the right, gray-white granular floor tiles, overall having a cold, hard, ordinary, slightly outdated sense of public space, prohibit luxury hotel bathrooms and exquisite studios. The character stands full body centered to the left, eye-level or very slightly low camera angle, legs naturally together, body kept quiet and upright, both arms raised simultaneously, elbows opened to the left and right, both hands are gently tidying a small exquisite headpiece or tiny hair crown on top of the head, forming a process moment of "preparing, pose not yet completed". Fingers naturally touch the headpiece and hair, no stiff symmetrical movements. The character's head is basically facing forward, eyes briefly glancing past the camera or slightly towards themselves in the mirror, eyelids relaxed, lips naturally closed, expression quiet, restrained, aloof, with a bit of alertness and greenness, no smiling, no strong model expressions. Dark or natural black-brown short to medium-short hair, slightly messy, retaining broken hairs and real hair structure. The character wears a light ivory, ice white or very pale cool blue-white thin top, upper body structure close to daily short-sleeved thin shirts, simple, slight sense of translucency; the lower body is a short solid inner skirt overlaid with a large area of translucent mesh gauze outer skirt reaching down to the ankles, the gauze layer is light, soft, falling vertically, legs looming through the outer gauze, real gravity folds formed near the knees and ankles, moderate transparency, prohibit eroticization, wedding dress corsets, large skirt supports, large amounts of lace and gorgeous dresses. Feet wearing light-colored slightly thick-soled shoes, using the slightly heavier shoe body to form a slight contrast with the light thin gauze skirt. The core relationship is Cold cyan-blue hard public restroom + Dreamy thin white gauze character + Arms raised tidying small headpiece + Ordinary public facilities + Unfinished snapshot moment. A large number of straight lines, rectangular tile grids, mirror frames, sinks and metal facilities in the environment form a hard geometric order, while the character's skin, hair, thin gauze, and curved arms form soft contours, creating a clear sense of displacement in the cold and hard daily space. Use ordinary public indoor top lighting and environment diffuse reflection, light is uniform, slightly cool-toned, no dramatic rim lighting. The character's forehead, top of the head, shoulders and white clothing material are slightly brighter, shallow shadows are kept in eye sockets, chin, gauze skirt layers and under the sinks. The main color of the environment is low-saturation cool cyan-gray-blue, sinks, clothes and equipment are off-white, skin tone and hair provide a small amount of natural warm color, metal remains gray-silver. Prohibit Tiffany blue, neon cyan, orange-blue cinematic grading and high-saturation filters. Imaging adopts a real old camera / consumer-grade film scan texture, medium to low clarity, slight global softening, fine grain, slight cyan-green color cast, highlights slightly washed out, edges slightly softened, the face is also affected by slight degradation. The character's face is still the clearest area, but prohibit modern commercial beauty-level sharpness; tiles, gauze, hair and skin all retain a unified slight old photo feel. No HDR, 8K fake details, excessive noise reduction, over-sharpening, plastic skin, porcelain doll skin and retouched photo look. Soran three-layer natural identification: the first layer sets a small fabric label at the collar or cuff of the top near the face, accurately and clearly writing "Soran", the color is low-key, recognizable under normal viewing; the second layer naturally integrates Soran into the grout lines of the light cyan tiles next to the character, old water stains or local wear textures; the third layer forms a microscopic Soran through the hem stitching of the translucent gauze skirt, shoe upper stitching or fine scratches on the metal faucet. All three layers belong to real in-painting materials, prohibit external watermarks, corner icons, subtitles, floating text, garbled brands, repeated logos and incorrect Soran spelling. Negative: luxury hotel bathroom, modern minimalist luxury mansion bathroom, studio sets, neon, cyberpunk, nightclub, high-saturation cyan-blue, strong cinematic lighting, hard rim light, wedding dress, large skirt support, gorgeous dress, excessive exposure, erotic poses, stiff character posing, arms mechanically perfectly symmetrical, staring dead at the camera, sweet commercial smile, heavy makeup, internet celebrity face, AI fake face, plastic skin, over-sharpening, HDR, background blurred into a studio, tiles excessively clean, random text, external watermarks.

25 years old, Japanese, white skin, slender, brown long hair, elegant floral pattern lingerie set, bedroom, full-length mirror, picking from 3 sets of tomorrow's clothes, holding clothes with both hands, conflicted expression, soft indoor lighting, natural daily life, photorealistic, 9:16

Improved Ruqun; clear lines of shoulders and back; slender waist; the long skirt drapes along the body; drinking by the side of the daybed; one leg bent; lightly pursing the corner of the lips; lazy and full of affection

Soft gauze long robe; sitting sideways on the edge of a daybed; one hand lightly resting on the edge of the couch; soft lines of shoulders and back; lowering the head for a moment then gently raising the eyes; expression is warm and soft; as if having unspoken words

A set of amateur failed photos, 3x3, 9:16.

Vintage Oriental × Mamian Skirt Aesthetic × Satin Editorial x Scenic Area Two Chinese beauties, hair behind their backs, wearing white and pink sexy Mamian skirts, taking photos together, real-life documentary photography, mobile phone snapshot feel, remove text, shoot from calves up, 9:16 Negative: unspecified clothing

[Subject/Work], Chinese 80s and 90s old movie poster style promotional collage design, Editorial Photomontage. The image is not a complete illustration, but is centered on the main portrait of the subject, with multiple loosely collaged white-bordered photographic stills of different sizes, slightly rotated, and not perfectly aligned surrounding it; the stills respectively present actions, scenes, character relationships, period atmosphere, and plot moments. A huge red hand-drawn movie title is set at the top, Block Display Lettering, thick blocky strokes, with black 3D shadows. The background is yellowed off-white old newspaper color, low-contrast old offset printing texture, black-and-gray low-saturation photos, with local army green, gray-brown, and high-saturation red forming a restricted color palette. Add a small amount of theme-related vehicles, weapons, buildings, energy trajectories, or action line art. Old offset printing dots, slight color registration errors, bulletin board-style small font size explanatory text, manual scrapbook-style composition. Only a voxCAT signature in the bottom right corner.

TITLE: Base prompt <Cozy Morning Bed Portrait> IDENTITY LOCK: None. STYLE: Ultra-realistic photorealism. Authentic handheld iPhone 16 Pro photography. Casual Instagram-style lifestyle photo. Natural HDR with minimal retouching. Authentic skin texture. SUBJECT: Beautiful Japanese woman in her early 20s. Long dark brown hair with soft see-through bangs. Slightly tousled morning hair. Large dark brown eyes. Natural makeup. Healthy fair skin. BODY: Pronounced feminine hourglass figure. Naturally very full bust. Natural feminine curves. Realistic anatomy. OUTFIT: Simple ivory ribbed camisole with thin shoulder straps. Matching ivory short lounge shorts. SCENE / ENVIRONMENT: Cozy modern bedroom in the morning. She is relaxing on a white bed with soft, slightly messy bedding. Warm minimal apartment interior softly blurred in the background. POSE / EXPRESSION: Lying on her stomach, leaning on her forearms. Lower legs raised naturally behind her with crossed ankles. Gentle relaxed smile while looking directly into the lens. Natural sleepy-morning mood. CAMERA: Vertical 3:4 composition. Handheld smartphone photo from slightly above bed level. Face close to the camera, with her body extending into the background. Frame includes her face, upper body, hips, legs, and feet. LIGHTING: Soft morning sunlight from a nearby window. Warm natural highlights on her face, hair, and body. DETAILS: Natural flyaway hair and realistic skin texture. Casual, unposed morning snapshot. NEGATIVE / CONSTRAINTS: No CGI. No illustration. No anime. No plastic skin. No text or watermark. No malformed anatomy or extra limbs. Do not crop out the lower body or feet.

3:4 vertical ratio, realistic urban night fashion portrait of an adult East Asian female, visual state of 20 to 30 years old, tall and slender, fair and natural skin tone, natural East Asian bone structure, stunning but recognizable features, no influencer template faces, plastic surgery look, or AI fake faces. The subject is located on a high-altitude city terrace or elevated platform, using a medium-close-up to half-body composition, with the body turned away from the camera, shoulders and back as the main foreground subject, the head turned significantly back looking towards the camera, one shoulder slightly raised, body maintaining a direction away from the lens while the face looks back in reverse, forming a core tension of "body leaving, gaze returning." The character wears a minimalist black thin-strap or off-the-shoulder long dress, upper body matte, low reflection, without complex decorations, black clothing naturally blending with the dark night scene, highlighting the fair shoulders, back, face, and arms. Deep dark long hair has realistic weight and a large amount of stray hairs, with night wind blowing continuously from the side, multiple strands of hair sweeping horizontally across the forehead, eyes, bridge of the nose, lips, and cheeks, partially obscuring the face but keeping at least one eye clearly legible; the hair ends spread toward the side of the frame, with individual fine strands showing very slight motion blur, rejecting neat commercial hairstyles and static wig-like sensations. One arm of the character extends naturally toward the right side of the frame, with the wrist or forearm resting lightly near a metal railing, fingers relaxed and drooping; the shoulder line is diagonal, with the neck and back forming a natural twist. The head is slightly lowered, the chin is slightly tucked, and the eyes look back naturally at the camera from a sideways angle, maintaining a slight off-axis look, eyelids relaxed, brows stretched, lips slightly parted, with an emotion that is alert, quiet, detached, and restrained, capturing the instantaneous feeling of looking back after being suddenly called. No sweet smiles, no provocative expressions, no ID-style frontal stares. The background is a real high-density modern city night scene, with distant building bodies, window lights, road lights, and vehicles forming a large area of softened bokeh, though architectural outlines remain vaguely discernible, not a pure light-spot background. The background main body uses deep cyan-blue, ink-blue, and blue-green low-frequency color fields, with large areas of the sky or city shadows maintaining cool tones; a small amount of warm orange, amber, and warm white light points are scattered on the roads and distant buildings to form depth. High-saturation neon, cyberpunk, nightclubs, and rainy night streets are prohibited. The core lighting adopts a strong but restrained "Warm Face Cold City": a beam of warm orange or amber side-front light falls on the character's forehead, eyes, bridge of the nose, cheeks, lips, shoulders, and a few hair strands, making the character's face the only concentrated warm color area in the frame; the background continues to maintain deep cyan-blue low-light illumination. The warm light must not contaminate the entire scene and is only allowed to concentrate on the character and a few distant light points. Black hair and black dress form large areas of deep color weight with the city's dark parts, allowing the skin tone to jump out naturally against the cold background. The imaging maintains a sense of real low-light night photography, with the character's face and visible eye being relatively the clearest, while wind-blown hair strands are partly sharp and partly slightly motion-blurred, and the background has a clear shallow depth-of-field blur; it retains slight high-ISO grain, shadow noise, natural uneven exposure, slight city light bleed, and soft edges. The skin retains pores, subtle skin tone variations, real under-eye shadows, lip lines, and local highlights, with no plastic skin smoothing, HDR, fake 8K sharpening, or commercial beauty retouching. The composition keeps the character located in the lower-left to center-left area, with the right side leaving space for the arm extension and night scene negative space; the character occupies about 45% to 55% of the frame, and the city still has enough volume. The warm facial colors, black hair crossing the face, bare shoulders and back, right-side extended arm, and background bokeh together form a path of attention. The overall image emphasizes the relationship of: Back View Looking Back + Horizontal Wind-blown Hair + Warm Orange Face + Deep Cyan-Blue City + Black Clothing + Night Bokeh. Soran three-layer natural branding: The first layer is accurately and clearly engraved with "Soran" on a small metal tag of an earring near the face or a micro metal nameplate on the black shoulder strap, in silver-gray, recognizable under normal viewing but not distracting from the face; the second layer hides Soran by merging it into the paint peeling, oxidation, scratches, and old wear of the foreground metal railing; the third layer forms a microscopic Soran through the stitching of the shoulder straps, the arrangement of earring chain links, or subtle scratches on the metal railing. All must belong to real in-frame materials and structures, prohibiting external watermarks, corner icons, subtitles, floating text, random logos, garbled text, and misspellings. Negative words: Frontal standing, stiff turn of the head, static hair, face completely unobstructed, hair completely covering both eyes, sweet smile, exaggerated sexy expressions, cheap night scene photography, influencer face, plastic surgery face, AI fake face, plastic skin, excessive smoothing, HDR, over-sharpening, high-saturation neon, cyberpunk, nightclub, rainy night city, blue-purple light pollution, large area orange filters, complex clothing, sequined dresses, leather highlights, background pure bokeh without city structure, harsh studio rim lighting, random text, external watermarks.

Theme: Double peace signs in the southern country Subject: In the center of the frame, in the lounge of a southern resort with wooden beams and large openings, a young woman stretches both hands toward the camera making double peace signs. In the center of the background are beige sofas and white cushions, dark blue patterned cushions, a wooden table, and blurred palm trees and pool. Person · Expression: Bright brown hair tied up casually in a high position, thin bangs and loose strands of hair sticking to the cheeks, large and bright amber eyes, clear eyeliner, pale pink cheeks, a sparkling smile showing teeth. Face facing straight ahead, a lively expression looking directly at the camera. Clothing · Pose: Lavender and white thin vertical stripes, lace and buttons, spaghetti strap bra top, wide neck collar of the same pattern, extremely short faded denim shorts, belly button ring, long purple nails. Arms extended wide forward, making V-signs with left and right hands. Background · Lighting: The background is dark wooden pillars and beams on the left and right of the frame, a white fabric sofa in the center, and southern greenery and water surface in the open-air lounge at the back. With the huge opening on the front-left as the main light source, soft daytime natural light enters, illuminating the face and body, with strong highlights on the hands in the foreground and soft shadows formed at the back. Composition · Camera: 3:4 vertical composition, with a wide-angle lens mounted on a camera at chest height, including from the top of the head to the upper thighs in the frame. The character is placed in the center, making the hands look large through perspective, positioning the hands in the upper-left and right front, ensuring the fingertips enter the frame. Focus on the face, with a depth of field where the hands are also identifiable, background softly blurred. Texture · Style: Photorealistic photo. High-definition bright skin, individual strands of loose hair, stripes and lace, faded denim, long nails, textures of wood and fabric, creating a light and bright resort tone. Negative: Changes in the V-signs of both hands and strong perspective changes; changes in clothing colors and patterns

Close-up half-body shot. A 23-year-old Japanese female, idol temperament, hourglass figure, wearing a thin pearl white silk slim-fit slip dress. She is gently blowing red heart-shaped petals from the palms of her hands towards the camera, the fabric fits the body shape, showing beautiful curves and deep cleavage. European courtyard white marble balcony, the background of the picture presents a creamy soft blur, the petals flying in the foreground have a sense of motion blur, the light is bright and full of an aesthetic and romantic atmosphere.

Subject: White dress in the harbor Subject: Slightly to the right of the center, a young woman wearing a white strapless dress stands in the transparent turquoise shallow water of a harbor. To the rear left, there is a small sandy beach, massive black rocks, and lush green trees. In the distance, there are blue mountains and cumulus clouds, with ripples on the water surface extending to the bottom of the frame. Character/Expression: A dark brown short bob that flips slightly outward below the chin, thin bangs hanging down over the forehead, large brown eyes, delicate eyeliner, pale peach cheeks, and natural coral lips. The face is tilted slightly to the left from the front, staring at the camera with a calm expression. Clothing/Pose: A strapless mini dress made of white glossy fabric. It features a thin scarf-like belt around the neck, a deep V-neckline opening from the chest to the abdomen, and a wrap skirt with a large knot on the right waist and a long fabric tail. Arms hang down naturally, weight shifted to one leg, standing facing forward. Background/Lighting: A tropical harbor background with white sand and dark rocks on the left, transparent shallows in the center, and a blue sky on the right. With the sun in the upper right as the main light source, hard direct noon sunlight pours down, creating strong highlights on the white fabric and shoulders; the water surface glitters with fine light, and elegant shadows are cast on the left side of the person. Composition/Lens: A 3:4 vertical composition, using a standard lens with the camera placed at chest height, capturing a range from the top of the head to the lower thighs. The character is placed slightly to the right of the center, leaving blank space for the beach and rocks on the left and the sky and clouds above. Both hands are within the frame, legs are cropped at the bottom, focus is on the face, and the distant view has a medium depth of field. Texture/Style: Photorealistic realistic photograph. High-definition depiction of short hair, natural skin, ripples on the transparent water, moist glossy folds of the white fabric, rocks, and leaves, highlighting the vivid summer colors of white and turquoise. Negative Prompt: Changes to the knot and deep V-neckline of the white strapless dress; changes to the seaside background.

Create an ultra-photorealistic vertical romantic photo-booth contact-sheet collage, 2 columns × 5 rows, showing ONE continuous visual story involving the exact same young adult couple throughout. CORE VISUAL IDEA: The two columns are not ten unrelated photos. They represent two separate adjacent photo-booth spaces. The young woman begins entirely inside the LEFT column and the young man begins entirely inside the RIGHT column. As the rows move downward, the man gradually leaves his own frame and physically moves into the woman’s frame. His original RIGHT frame therefore becomes progressively emptier. This visual migration is the central concept and MUST remain logically consistent. CHARACTERS: A very cute young adult East Asian couple, approximately 20–23 years old, both clearly adults. GIRL: Naturally adorable Korean-looking young woman, soft youthful facial features, expressive dark-brown eyes, realistic fair skin with visible pores and subtle natural texture, slightly rosy cheeks, dark-brown hair in a loose messy bun with wispy strands around her face. Oversized black knitted sweater. Minimal natural makeup. Sweet, shy, playful personality. BOY: Cute Korean-looking young man, youthful but clearly adult, soft masculine facial features, warm dark eyes, naturally messy fluffy dark hair, realistic skin texture. Light-grey oversized hoodie over a simple white T-shirt. Gentle, slightly shy personality. STRICT IDENTITY LOCK: The SAME woman and SAME man must appear in every row. Identical faces, hairstyle, clothing, skin tone and proportions throughout. No face drift, no hairstyle changes, no outfit changes. STORYBOARD: ROW 1 — TWO STRANGERS LEFT: girl alone, chest-up portrait, casually looking toward the right edge as though she has noticed someone. RIGHT: boy completely visible and centered in his own frame, facing camera naturally. They are physically separated by the vertical black divider. Small handwritten text: LEFT: “just a girl… ♡” RIGHT: “just a guy…” ROW 2 — THEY NOTICE EACH OTHER LEFT: girl turns her eyes and face toward him with a tiny restrained smile. RIGHT: boy turns toward the girl, leaning slightly toward the LEFT boundary for the first time. He is still mostly inside his own frame. Text: LEFT: “who noticed something” RIGHT: “…and looked twice ♡” ROW 3 — CROSSING THE LINE This is the important transition. The boy has moved substantially LEFT and is now entering the girl’s frame across the central divider. The couple are close together, looking directly at each other and smiling naturally. His RIGHT frame must now contain noticeably more empty background because he has physically moved away from it. Do NOT duplicate him. Text: LEFT: “then we smiled ♡” RIGHT empty area: “and suddenly it made sense” ROW 4 — HE HAS LEFT HIS FRAME The boy is now almost COMPLETELY inside the LEFT frame with the girl. They share one soft, natural kiss, photographed candidly rather than dramatically. Only a tiny portion of his shoulder/body may intersect the central border. The RIGHT frame is approximately 85–90% EMPTY — just clean studio background. This empty frame is intentional and visually important. Text: LEFT: “same weird thoughts ♡” RIGHT empty frame: “different chaos ♡” ROW 5 — FINAL PAYOFF The boy has now COMPLETELY abandoned his original right-hand frame. Both characters are entirely together inside the LEFT frame. Instead of another kiss, create an irresistibly cute candid moment: he hugs her tightly from behind while giving her a small forehead/temple kiss; she scrunches her cheeks slightly, closes her eyes and smiles naturally. Their body language should feel spontaneous, warm and genuinely affectionate. RIGHT frame must be COMPLETELY EMPTY except for: “more stories ♡” Text in left: “same people…” IMPORTANT: Never place a second copy of either character in the right frame after the man moves left. Never repeat the kissing image across both columns. The empty space tells the story. DESIGN: Minimal premium analog contact-sheet aesthetic inspired by an old 35mm film proof sheet, but make the composition completely original. Warm off-white / soft beige seamless studio background. Deep black film borders. Thin slightly imperfect frame separators. Tiny amber film-number markings and subtle sprocket details along outer edges. Very subtle authentic analog grain, dust and microscopic scratches. Small pieces of aged masking tape. A few torn-paper notes. Tiny hand-drawn hearts. Small dried flowers near one bottom corner. Only a handful of decorations — never clutter the photographs. Margin notes: “Good people, good times ♡” “You + Me Always ♡” “Collect moments, not things ♡” BOTTOM HERO MESSAGE: Place a torn warm-ivory paper strip across the lower border with handwritten text: “you + me = a better kind of chaos ♡” PHOTOGRAPHY: 100% believable real-human photography. Premium editorial photo-booth portraits shot on a full-frame camera with approximately 50–85mm portrait-lens character. Soft warm studio key light, subtle fill, realistic shadow falloff. Natural skin pores, peach fuzz, individual hair strands, realistic knitted fabric and hoodie texture. Slightly imperfect candid expressions. Warm cinematic color grade with creamy highlights, rich blacks and subtle analog grain. Faces remain sharp while retaining natural photographic softness. The first row should feel slightly awkward and separated. Every subsequent row becomes visually warmer and physically closer. The final row should provide the strongest emotional payoff. NO CGI. NO illustration. NO anime. NO plastic skin. NO excessive beauty retouching. NO duplicated people. NO extra fingers or limbs. NO random additional characters. NO identity changes. NO duplicated poses. NO repeated kiss. NO decorative overload. NO characters appearing inside intentionally empty right-side frames. FINAL FEEL: A photograph someone would instantly stop scrolling to understand — first they notice two separate people, then realize the man is literally disappearing from his own frames because he is moving into hers. Cute, clever, romantic, nostalgic, highly polished and visually understandable even before reading the handwritten text.

3:4 aspect ratio, color character sheet handwritten in a notebook, front-facing expressionless full-body image, the character is not handwritten but an image of a photo pasted directly into the notebook, charm points of various parts of the body are written down, Momoiro John. Negative: underwear description, logo, product name, name.

A candid 35mm film photograph of a young East Asian woman standing on a dirt path running through vast, vibrant green rice paddies on a quiet overcast afternoon. She is wearing an oversized textured moss-green knit sweater, a tied beige neck scarf with small polka dots, a dark brown corduroy mini skirt, striped crew socks, and off-white canvas sneakers. Her shoulder-length dark hair is styled with a light blue padded headband. She carries a vintage floral tote bag and holds a classic silver rangefinder camera in a brown leather case. Hazy, muted mountain silhouettes rise softly in the distant background. Japanese indie cinema aesthetic, soft diffused lighting, natural film grain, earthy color palette.Use the uploaded photo as the facial identity reference for an adult woman. Preserve his recognizable facial features, natural skin tone, facial proportions, and overall appearance. make the aspect ratio 3:4

Gauze long dress; high slit; low angle shot; walking slowly down the steps; shoulders and back straight; obvious wind sense; backlit clear and hazy generate image

Create a vertical split-screen visual work. The upper part is a real photo uploaded by the user, and the lower part re-translates the figures, pets, animals, or subject relationships from the upper photo into an editorial illustration composed of real natural materials. The upper and lower images must maintain a clear correspondence in subject identity, outline, posture, and relationship. Upper Part | User-uploaded original photo Keep the real photo in the upper part. Prioritize identifying people, pets, animals, human-animal combinations, and multi-person relationships. Completely maintain the subject's original identity characteristics, including facial shape, hairstyle, clothing, posture, and movements for people; fur color, patterns, ears, facial shape, body proportions, tail, and movements for pets or animals. Do not transform the upper part into leaves, petals, or illustrations beforehand. Allow reasonable cropping according to the vertical layout, but keep the core subject complete and recognizable. Buildings and complex environments are only kept as the photographic background of the upper part; the lower part does not use buildings as the main translation object. Lower Part | Natural material collage editorial illustration translation Extract the most recognizable subject, outline, posture, and narrative relationship from the upper photo, and reconstruct it into an editorial illustration composed of real natural materials. Use clearly identifiable leaves, petals, branches, fruits, seeds, grass stems, bark, or dry leaves, directly utilizing their original shapes, textures, color differences, and irregular edges to assemble the subject. Do not cut the plants into overly precise geometric shapes, nor use a complete illustration outline to enclose the plants. Make the viewer recognize that the bottom represents the same person, animal, or group of interacting subjects as the top photo, while also clearly seeing that it is ingeniously composed of real natural elements. Natural materials are not decorations outside the person's photo, but truly undertake the subject's body structure. For example: A person's hair can be formed by naturally curling or layered leaves, grass stems, or petals; Clothing can utilize leaves of different sizes and comprehensive color differences to form the main area; Arms and legs can be represented using branches, grass stems, or elongated leaves according to the original posture; Pet ears can choose naturally pointed leaves; Tails can use curved branches or slender plant materials; Face and body should try to utilize the natural materials' own outlines rather than relying on extensive drawing. The composition establishes order with a simple rectangular color field or paper area, but do not deliberately draw a complete border. The subject maintains a natural internal and external relationship with the rectangle, with most of it falling within the color field and a few most directional parts naturally extending beyond the boundary. A person's extended hand, a pet's tail, ears, branches, or movement directions can naturally exceed the color field, giving the image a relaxed sense of "crossing boundaries"; like plants just happening to grow out of the layout, rather than striking a pose for the sake of "breaking the frame." Maintain a large amount of white space, a clear center of gravity, and incomplete symmetry, allowing the randomness of natural materials to coexist with the order of editorial design. Black lines appear only as a minimal auxiliary language and do not serve as the overall outline for the subject. Can be used for eyes, mouths, minimalist expressions, small movement hints, local connections, short lines, handwriting marks, or slight visual rhythms in the layout. The lines are thin, relaxed, and slightly hand-drawn, letting the plants themselves undertake the subject's form and outline. In particular, it is forbidden to use black lines to completely outline a person's body or a pet's outer contour and then fill it with plants. The color scheme extracts the most vital and recognizable color temperament from the original image in the upper part, and then re-translates it through the colors of natural plants themselves. For example, if the person above wears green, orange, or blue clothing, the bottom can look for real materials like leaves, petals, or fruits with similar comprehensive colors for correspondence. A pet's orange, gray, black and white patterns, etc., can also be cleverly reproduced using the comprehensive color differences of natural materials, but the plants cannot be artificially dyed into completely uniform color blocks to match the colors. Retain the real comprehensive color differences of leaves, petals, fruits, and dead branches, without excessive uniform dyeing. The background uses light or soft comprehensive colors coordinated with the original image, making the natural materials the visual center of the image, overall fresh, restrained, vital, and not cluttered. Text remains minimal and acts as a lightweight element in the editorial design. Extract a short English title and a few micro-annotations from the photo's mood, action, relationship, or metaphor, which can be placed close to the edge of the rectangular color field, suspended in the white space, or cleverly aligned with a branch or leaf direction. Don't overshadow the subject, and don't make it like a regular poster title. If the photo's emotion is very clear, the text can express its hidden relationship; if not necessary, text can be further reduced. The overall presentation is a visual relationship of real natural materials x slight black hand-drawn marks x geometric color field x natural boundary crossing, maintaining a sense of handmade, clever, relaxed, poetic, and high-end editorial feel. The bottom is not an ordinary "leaf portrait sticker," but should be as if an art director carefully selected different natural materials to cleverly reconstruct the person or pet from the upper photo with natural outlines. Avoid complete black outlines, plants cut into regular color blocks, children's leaf collages, deliberate boundary crossing, cartoon collages, and templated compositions. Forbidden to recreate people or animals unrelated to the identity above. Forbidden for complex buildings to become the main objects of natural material collage.

A photorealistic candid photograph taken at a Japanese beach on a summer day, vertical 9:16 composition. Two adult Japanese women, approximately 25–27 years old, are sitting on a beach towel spread over the sand, resting and chatting together. Both have naturally Japanese facial features, but their appearances are clearly distinct from one another. Main woman: approximately 25 years old, with a small oval face, soft Japanese facial features, almond-shaped dark brown eyes, naturally fair skin, and long black hair reaching her chest, loosely tied into a low ponytail. A few fine strands of hair around her cheeks are gently moved by the sea breeze. She wears a cobalt-blue two-piece bikini with a minimalist sporty design, featuring a square-neck top and mid-rise bottoms, made from realistic matte-textured swimwear fabric. Beside her lies a loose white linen shirt that she has just taken off and placed on the towel. She sits in a relaxed position, one leg comfortably extended across the sand while the other is slightly bent. One hand supports her from behind, and her torso naturally turns toward her friend as they talk. She does not adjust her body for the camera and is not posing in any way. Second woman: approximately 27 years old, with a slightly smaller round face, dark brown eyes, and shoulder-length chestnut-brown hair with gentle waves and Japanese-style wispy bangs. She wears an ivory-cream one-piece swimsuit with a simple square neckline, paired with a pale blue sarong loosely tied around her hips. She sits angled toward her friend, with both legs resting naturally to one side. One hand holds a cold bottle of water while the other rests on the towel for support. She is listening to her friend and smiling softly. The two women are simply chatting and relaxing, like an ordinary everyday moment someone might casually notice while walking along the beach. Neither woman looks toward the camera. The camera is tightly zoomed in on the subjects: the photographer is actually standing approximately 10–15 meters away but uses a 135–200mm telephoto lens with tight zoom, making both women appear large in the image. Together, they occupy approximately 75–80% of the frame height. The composition focuses primarily on them, showing them from head to near their feet so that their faces, swimwear, and natural body proportions remain clearly visible. The camera uses a slightly frontal three-quarter angle, positioned approximately at seated torso height. Telephoto compression visually pulls the background closer, creating the impression of distant observation even though the subjects appear very large within the frame. Along the extreme left edge and lower corner, only a small portion of another beachgoer’s shoulder and the edge of a beach bag appear heavily out of focus, creating the impression that the photographer is zooming through a crowd. The foreground blur should not obscure too much of either subject. Behind them are bright sand, blue ocean water, several beach umbrellas, and other adult beachgoers relaxing in the distance, all naturally softened by shallow depth of field. Summer sunlight reflected from the sand creates soft illumination across their skin, while a gentle breeze moves only a few loose strands of hair. Photorealistic Japanese beach candid photography, strong telephoto zoom, 135–200mm lens, tight telephoto framing, subjects large in frame, authentic Japanese facial features, natural adult proportions, clearly visible different swimwear, spontaneous conversation, relaxed natural posture, unaware of photographer, no eye contact, no posing, no fashion-model pose, realistic skin pores, realistic hair and swimwear fabric, shallow depth of field, subtle foreground occlusion, compressed beach background, natural summer sunlight, slightly imperfect candid framing, no studio lighting, no beauty filter, no plastic skin.

Please turn each travel photo I upload into an independent, high-end line drawing travel poster, outputting each photo separately without multi-image collages. The overall composition uses a 3:4 vertical layout, forming a clear "top real photo + bottom line drawing background character re-rendering" upper-and-lower contrast. Use clear, horizontal, and restrained boundaries for the upper and lower areas; do not use feathering, tearing, gradient blending, and do not let photos, lines, or text cross the boundary. The upper half must retain the uploaded photo itself. Accurately maintain the identity, number, posture, direction of action, main clothing color, building and street relationship, observation angle, perspective, real materials, natural light and shadow, and original color atmosphere of the character or subject. Only perform slight high-end photography color grading and extremely thin film grain to give it the texture of a travel magazine or art publication. To adapt to the frame, the sky, ground, or surrounding environment can be naturally extended, but do not stretch, distort, mirror, move, replace, or redraw the subject. The lower half, on warm rice white, old paper white, or light oatmeal colored paper, reorganizes the same character and the same scene from the photo above into a "line drawing background character observation study." The character remains the visual center, maintaining the original number of people, body center of gravity, direction of action, distance from each other, hairstyle outline, main clothing color, backpack, and other key identification features; the streets, buildings, sea surface, or environment behind the character retain only a few clues that can explain the location and spatial direction. Do not trace the entire background completely, and do not add characters or landmarks that do not exist in the original photo. The line drawing must use unstable black pens, dip pens, or dry-leaning ink lines to repeatedly find the form: breaks, pauses, folds, misplaced double lines, partial re-drawing, variations in thickness, slight erasures, and unfinished line ends must be clearly visible. The lines look like the artist is constantly correcting on site, rather than clean vector outlines, manga ink lines, or fashion sketches. Where necessary, a very small amount of solid black blocks or dense hatching can be used to press down on backpacks, hair, door frames, or shadows, but do not establish full pencil shading or large areas of color filling. The composition uses reduction and refinement, offset display, or vertical reorganization. The linear subject occupies about 38%—68% of the width of the lower area and can be biased to one side; keep at least 42% continuous old paper negative space around it. Only keep one or two ground lines, perspective lines, wall boundaries, or structural lines to support the space; do not draw it as an engineering drawing grid. The tension between the lines and the paper white is more important than background completeness. The colors are mainly warm old paper and single black ink. At most, extract one tiny area of light color from the photo for clothing, location markers, short lines, or numbering; the colored area should be less than 8% of the lower area, and do not use multi-color watercolor fills. The paper should have visible fibers, subtle grain, and the matte touch of an old travel album. In the main negative space, add a small amount of accurate, readable editorial text: a short English title related to the location or subject; a line of "LINE STUDY 01" or location/object fields; a very short observation note. The text uses a small typewriter font, ink-deficient lead type, or a handwriting style similar to the lines, as if written directly on the paper; do not overpower the character. Do not add the author's name, brand, logo, URL, fake dates, signatures, watermarks, garbled code, or extra slogans. Overall temperament: fragmented black linework, repeated searching contours, sparse travel observation, warm archival paper, controlled negative space, one restrained accent color, handmade editorial study, quiet and intelligent travel memory. Avoid: applying an overall general line art filter, continuous smooth outlines, vector outlines, exquisite fashion sketches, detailed facial features, human anatomical corrections, complete background tracing, dense architectural details, complete shadow sketching, heavy watercolor, oil painting, 3D, anime, irrelevant characters, intimate posture restrictions, author names, logos, URLs, signatures, watermarks, and garbled code. Most important rule: The upper half is a real photo for direct comparison; the lower half uses only broken, folded, overlapping black lines that constantly search for form to re-refine the same character and scene relationship. The style comes from the tension of the lines and negative space, rather than a fixed character relationship.

Create a 9:16 vertical poster in a clean contemporary museum-like architectural space, with minimal editorial typography and a small human figure for scale. The style should feel like a high-end exhibition poster: pale stone or concrete surfaces, strong daylight, crisp shadows, refined composition, and a calm but striking atmosphere. Make the word itself become the installation, fully integrated into space. Add small English micro-copy in the corners like a design study poster, but do not add any copyright marks or page numbers. 1. ZOOM Use a magnification concept. Build the word “ZOOM” through a sequence of large circular Fresnel-lens-like discs aligned in space, so the letters are revealed, enlarged, and distorted through the lenses. Use blue typography with thin red structural accents. The floor can carry guiding graphic lines that echo the optical effect. The result should feel precise, optical, and spatial. 2. PRISM Use a refractive light concept. Build the word “PRISM” with tall transparent glass panels standing in a bright museum courtyard. Each panel should refract and tint the letters with rainbow-like spectral color, casting iridescent reflections and prismatic light onto the floor. The overall feeling should be luminous, airy, elegant, and highly visual. 3. FLOAT Use a buoyancy concept. Show the word “FLOAT” broken into large modular letter blocks drifting on a shallow pool of clear water inside a minimal open pavilion. The blocks should feel heavy yet buoyant, tethered lightly in place, with soft ripples and reflections. Use blue typography on pale floating forms. The scene should feel calm, architectural, and subtly surreal. 4. PHASE Use a polarization / layered glass concept. Build the word “PHASE” across a series of parallel transparent blue glass panels, so the letters only fully resolve through layered alignment from the correct viewpoint. Let light pass through the glass and create soft blue reflections across the floor. The composition should be minimal, precise, and visually intelligent.

Create a premium vertical 4:5 travel postcard-style composition with two sections. TOP SECTION — PHOTOREALISTIC TRAVEL PHOTOGRAPH: Show a breathtaking cinematic view of New York City, United States, from a charming riverside café terrace during golden hour. The Brooklyn Bridge stretches across the river, with the Manhattan skyline and One World Trade Center clearly visible in the background. A large American flag 🇺🇸 hangs naturally from a historic building in the foreground. Include beautiful flower planters, wooden café tables and chairs, warm vintage lanterns, small candles, lush greenery, riverboats, and realistic reflections on the water. The sky has dramatic orange, peach, pink and soft blue clouds with the sun low near the horizon. Warm cinematic lighting, realistic architecture, rich details, professional travel photography, luxury tourism magazine aesthetic, natural depth of field, highly realistic. Add a small elegant black hanging sign on the left with tasteful decorative text. BOTTOM SECTION — WATERCOLOR POSTCARD: Recreate the same scene as a beautiful hand-painted watercolor illustration on premium textured ivory/cream paper. Preserve the Brooklyn Bridge, Manhattan skyline, American flag, café terrace, flowers, river and major architectural elements, but transform everything into delicate watercolor brushwork with soft artistic edges. Use a sophisticated travel-journal/postcard aesthetic with subtle paper texture and elegant negative space. At the bottom center, add refined handwritten typography: “New York City” Below it: “UNITED STATES” Then a small American flag 🇺🇸 Then: “2025” OVERALL STYLE: Luxury travel postcard, editorial tourism campaign, cinematic photography combined with watercolor illustration, sophisticated composition, premium paper texture, warm romantic atmosphere, highly detailed, visually polished, elegant typography. IMPORTANT: Keep the overall two-section layout: realistic photograph on top + watercolor interpretation underneath. The watercolor should clearly correspond to the photograph. Use a vertical 4:5 composition. No people as the main subject.

{Original Subject}, do not depict it directly in its original form first. Instead, first extract its core identifying information, including silhouette features, temperament characteristics, signature structures, decorative elements, color memory points, emotional attributes, and identity symbols, and then translate this information into an animalized character. The final presentation should be a VOXCAT-style animal character with the identity of the original subject, rather than the original object itself. Whether the original subject is a person, a 2D character, a flower, a building, an artifact, a machine, a monster, or an abstract concept, they are all uniformly subjected to animalization/animalized translation first, translating the original subject into a biological image with animal sense, spirituality, claw sense, tail sense, ear sense, beak sense, whisker sense, or feather sense, and then incorporating it into a unified visual system. The overall style is: VOXCAT-style animal minimalist graphic illustration, calligraphic animal minimalism × freehand ink wash × Zen graphic illustration × modernist cartoon-like modeling × independent art publication visual. White paper background, large areas of white space, minimalist composition, a single subject centered or slightly offset, no complex scenes, no realistic environments, no piling up of narrative elements, with an emphasis on negative space, ma / interval, and the sense of breathing between the subject and the blank space. The animalized subject adopts extreme graphic subtraction. Compress anatomy, retaining only the most critical identifying features. The whole is composed of calligraphic ink lines, single-stroke contours, and simplified silhouettes. Exaggerated deformation is allowed, such as lengthening the neck, compressing the body, enlarging the ears, strengthening the tail, simplifying the limbs, exaggerating the eyes, and reducing details to form a sharp, humorous, agile, and witty animal character identity. Lines must have a distinct hand-drawn feel and brush-writing sense, with pressure variation, gesture strokes, imperfect contours, and organic asymmetry. No industrial outlines, no mechanical vector feel, no high realism. Locally add dry brush / flying white, feibai, intermittent ink marks, sweeping brush trails, and paper friction marks. The image does not rely on realistic light and shadow, does not do complex volumetric modeling, and does not emphasize three-dimensional perspective. The whole adopts flat tonal organization, establishing a visual hierarchy with ink black + paper white + a very small amount of vermilion red dotting. Red is only used as a chromatic accent, restrainedly dotted on crowns, ear tips, cheeks, mouths, claws, decorations, small symbols, or local identification points, without large areas of color application. The following principles should be followed during animalized translation: Character / Person: Extract hairstyle, gaze, temperament, clothing symbols, accessories, and sense of identity, and translate them into a certain animal character. Flower / Plant: Extract petal structure, branch and leaf posture, blooming method, and color memory, and translate them into an animal with floral characteristics. Building / Place: Extract silhouettes, structural rhythms, identifying shapes like roofs/windows/spires, and translate them into animals with architectural silhouettes. Artifact / Machine: Extract structural parts, functional shapes, hard-edged contours, and rhythm, and translate them into mechanical-feeling animals. Abstract Concept: Extract temperament, rhythm, and symbolic features, and translate them into animal characters with that imagery. The final effect must allow the viewer to both see that it is an "animal" and vaguely identify the source information of the original subject. This relationship should be a transmuted resemblance, rather than a direct collage or copy. Incorporate VOXCAT brand elements: In the upper-left or lower-right corner, low-key add a minimalist VOXCAT logo, composed of an abstracted V combined with cat elements; in the lower-right corner, add a small signature VOXCAT / voxcat. The animal character can implicitly incorporate cat-style brand language locally, such as cat-eye sense, cat-ear rhythm, cat-tail curves, and cat-paw-style brush strokes, but it must be restrained so that not all subjects lose their original identity and become the same cat. Overall temperament requirements: whimsical, witty, zen, playful, absurd, intelligent, poetic minimalism, independent art publishing aesthetic. That is: spiritual, witty, humorous, absurd, Zen, poetic minimalism, and a sense of independent art publishing.

Create a vertical "Upper-Lower Split" style poster, the canvas is strictly divided into upper and lower areas, the upper part is the original real photography, and the lower part is a retro watercolor hand-drawn editorial illustration translation of the same subject. The overall temperament is relaxed, playful, gentle, fashionable, retro, and with a small amount of humor. Upper Part: Place the original photo uploaded by the user. Use figures, pets, animals, or the relationship between figures and pets as the main subject of the picture, clearly presenting the subject's facial features, hairstyle, hair color, clothing, actions, postures, and overall atmosphere. The upper part maintains a real photographic style without illustration processing, and can be moderately cropped to enhance the focus on the subject. The background should be restrained as much as possible, with buildings and complex spaces only serving as a weakened environment, not as the main content. Lower Part: Extract the most recognizable subject, outline, posture, and narrative relationship from the photo in the upper part, and reconstruct it into a light, naive, and retro hand-drawn editorial illustration. Do not mechanically replicate details; re-express with summarized modeling, moderately exaggerated proportions, symbolic features, and humorous visual metaphors, while keeping the original object recognizable at a glance. Integrate modernist editorial illustration, Bauhaus graphic composition, children's picture books, naive art, and fashion sketch temperament. The shapes are concise, the outlines are slightly hesitant with manual errors, and local features can be moderately enlarged, giving the picture a sense of story, fashion, and playfulness. The color scheme is extracted from the uploaded original photo, using a high-brightness, low-to-medium saturation soft limited color palette, unifying the atmosphere with analogous colors, and creating visual jumping points with small areas of complementary colors. Use a mixed texture of watercolor, gouache, colored pencils, pastels, and dry brushes, retaining paper grain, transparency, broken brushstrokes, rough edges, slight dirty colors, and old printing color registration deviations. The background uses a large area of white space, supporting the subject only with loose light colors, local diagonal lines, or simple geometric elements, avoiding complex scene accumulation, realistic lighting and shadow, smooth vectors, three-dimensional rendering, and over-refinement. The text extracts a small amount of English keywords, titles, serial numbers, or suitable golden sentences from the location, character, scene, or theme of the photo, and continues the hand-drawn editorial language of the picture. The main title uses handwritten art fonts with a slight sense of naivety and retro, and the auxiliary text uses restrained and gentle sans-serif or serif fonts, which can be slightly misplaced, tilted, stretched, color-stacked, or produce old printing color registration shifts, making the text grow naturally in the picture like a part of the illustration, rather than a layout element pasted on later. Overall, use off-white or light-colored backgrounds and a large amount of white space. Subject features, colors, postures, and visual symbols maintain unified echoes in the picture. The overall temperament is relaxed, playful, retro, gentle, smart, fashionable, humorous, romantic, and relaxed, with a slight clumsiness and quirky confidence, like a page of a carefully preserved old fashion picture book and modern art magazine. The whole needs to clearly convey "the upper part is the original photo reference, and the lower part is the retro watercolor editorial illustration translation of the same subject," with both identity consistency and obvious style contrast between the two.

Subject: A fictional adult Japanese woman, sitting alone on the tiled floor next to the entrance of a building, looking up at the camera positioned at a high point. A city life portrait centered on a casual style with a black top and light-colored jeans, close-up gaze, and a diagonal high-angle composition. Location · Time · Background: A slightly gloomy overcast day, at the entrance of an old building. Elements such as white exterior walls, black grilles, gray baseboards, concrete floors with small particles, and beige tile steps extending toward the upper right together create an unpretentious street corner texture. Clothing · Accessories: Black ribbed tank top with thick shoulder straps and a wide U-neck, paired with faded light blue high-waisted jeans. Decorations are kept simple, matching only with small earrings and natural casual makeup. Pose · Hands · Contact: Sitting on the floor with knees bent, pulling one leg toward the front of the body. One arm is extended diagonally pointing toward the camera, the other arm is placed near the knee, and the shoulders and torso are naturally twisted to match the high-angle perspective. Expression · Gaze: Chin slightly raised, eyes staring into the lens, corners of the closed lips slightly turned up. It conveys a sense of reassurance more than surprise, as if finding the other person, creating a quiet and friendly expression. Face · Makeup: Rounded oval outline, soft straight eyebrows, large dark brown eyes, small nose, pink-beige lips. Maintain a faint flush on the cheeks, and use black eyeliner and natural eyelashes to highlight the gaze. Hair: Dark brown hair tied in a low ponytail at the back of the head. Sparse bangs fall evenly across the forehead, with long strands of hair on both sides of the cheeks and a bunch of hair behind the ears, softly framing the outline even from a high-angle perspective. Light Source: Soft diffused outdoor overcast light projected from above, distributing brightness evenly across the forehead, cheeks, shoulders, chest, and arms. With the reflection from the white walls, the shadows on the face are made shallower while preserving the woven texture of the black clothing. Color · Tone: A low-saturation palette of black, light blue, white, gray, and light beige. Using only the pink of the skin as a warm accent, distinguishing the hard materials of the entrance from the softness of the character through differences in brightness. Texture · Subtle Texture: The fine ribbing of the black tank top, the fading and stitching of the jeans, the particles of the concrete, the seams of the tiles, the fine strands of hair, and the smooth texture of the skin are depicted one by one to enhance the realism of the everyday entrance. Composition · Camera: A strong high-angle portrait with an aspect ratio of 9:16. The visual center of the chest is placed near 50% of the screen width, the midpoint of the eyes is placed near 39% horizontally, and the extended arm and bent jean leg are included as diagonal guiding lines. Captured from directly above the head at a close-range wide angle. Image Processing · Finish: Clarity close to a natural smartphone photo, while preserving the highlights of the white walls and the shadows of the black fabric. Adjust the skin tone to neutral, adding slight local contrast only to the concrete particles and the pupils. Collapse Avoidance · Prohibition: Fixed as the same adult woman, looking up gaze, floor sitting pose, black tank top, light jeans, high-angle composition at the entrance. Avoid extra hands or feet, over-extended arms with excessive perspective, broken tiles, text, logos, watermarks, other people, or the addition of street items.

A full-body portrait of an East Asian woman, captured from a dynamic, ultra-wide low angle perspective, invites the viewer to gaze upward at her serene and blissful form. Her long, blonde hair, partially tied into a messy bun, cascades down her back with loose strands trailing outward, as if swept by the gentle ocean breeze. Her head is tilted back, and her face, though not directly facing the viewer, exudes a sense of euphoria, her smile subtle yet radiant. The sleeveless white summer dress she wears is a masterpiece of texture and detail, with layered ruffles along the bodice and a tiered, flowing skirt that ripples with realistic wrinkles and folds as the water splashes around her legs, creating a sense of movement and dynamism. The dress appears to shimmer and glow in the strong, radiant sunlight, which blazes from the upper left, casting dramatic highlights on her skin and clothing, accentuating the natural skin pores and subtle imperfections that add to her photorealistic beauty. The light also throws soft shadows across her back, creating a sense of depth and dimensionality. In the background, a bright blue sky dotted with scattered clouds stretches out, meeting the horizon where the ocean water churns dynamically around the bottom of the frame, creating a sense of energy and movement. The overall mood is one of serenity and joy, as if the woman is one with the natural world, her spirit soaring as freely as the seagulls that might be flying overhead. The composition, shot with a wide-angle lens and a large aperture, creates a sense of intimacy and immediacy, drawing the viewer into the scene, and the filmic color grading adds a warm, cinematic glow to the entire image, inviting the viewer to step into this idyllic world. --ar 2:3

Generate a realistic movie still in Chinese megalithic aesthetics and oriental poetic surrealist style. Strictly continue the visual temperament of the reference image: huge natural objects, soft and delicate surfaces, light and elegant characters in ancient costumes, hazy and moist natural backgrounds, and the wonderful daily life of characters living among the giants. The picture is elegant, gentle, and quiet, with realistic photography light and shadow, texture, and spatial hierarchy. A single complete and independent image. Megalith: [Name and appearance of the megalith]. Interaction: [Specific movements and contact parts between characters and the megalith]. The entire image revolves only around the aforementioned megalith and this set of interactions. The default main size of the megalith is approximately 10 times the height of a person, which can be reasonably adjusted based on the interaction, large enough to become a space that a person can enter, stay in, and use. The megalith constitutes the largest main form of the picture, its natural curved surfaces, edges, or internal structures spreading around the characters, partially extending out of the frame, forming a distinct sense of envelopment and scale contrast. The size of the characters in the picture can change with the framing, but they always maintain a credible proportion with the megalith. Let the audience understand at a glance what the megalith is, how small the characters are, and what the characters are doing with its help. Interaction is the narrative center of the image. The character's movements must be completed by relying on the structure of the megalith itself, letting its curved surfaces, recesses, crimped edges, textures, or cavities naturally undertake corresponding life purposes. Determine specific contact points, body center of gravity, and gaze direction according to the content filled: palms and fingers accurately touch the surface, reliable support is obtained at sitting, lying, or leaning positions, feet stand firmly, and the hem of the clothes falls naturally along the curved surface. There are subtle shadows, reasonable occlusion, and appropriate material feedback at the contact point between the character and the megalith; when water surfaces are involved, corresponding reflections, buoyancy relationships, and small ripples appear. Capture only the moment an action is occurring, the action is light, calm, and natural, with the leisure and intimacy of real life. The megalith retains its original distinct outline and material characteristics. Plants show real leaf veins, petal fibers, thickness changes, natural wrinkles, and edge light transmission; other materials show their own accurate textures, thickness, and reflections. The surface is delicate, with small imperfections, a small amount of dew, or moist reflections in local areas, and the detail density matches real materials. The volume, curvature, thickness, and light reception of the megalith are continuous and consistent, the form is beautiful and stretched, with credible weight and touch. The number of characters is determined by the interaction, usually one to three adult oriental characters, defaulting to the elegant temperament of the young women in ancient costumes in the reference image. The features are naturally beautiful, the skin tone is fair and soft, retaining real skin texture; the makeup is light, the hair bun is simple, the expression is relaxed, and the eyes focus on the things in hand, the megalith, or companions. Wearing elegant Hanfu in jade white, light green, lotus root pink, or pale apricot, silk and gauze drape lightly, and folds change with the posture. The character's silhouette and actions are clearly readable, and the fabric color naturally echoes the megalith. The background uses a moist and quiet Chinese garden or natural space near water, selecting gray-blue water surfaces, hazy tree shadows, thin water mist, or fine rain according to the interaction, retaining only a few environmental clues. The foreground megalith has volume, the mid-ground interaction has details, and the distant view gradually softens, with clear layers and stretched negative space. The Chinese artistic conception is presented through character clothing, manners, natural space, and subtle composition. The color scheme is close to the reference image: deep lotus green, gray-blue, soft coral pink, lotus root pink, and jade white. Determine a main color based on the original color of the megalith, and other colors echo in small amounts, forming large areas of clean and soft color blocks. Use natural side light and back light softened by thin clouds, leaves, or mist, clear in bright areas, soft in shadows, and smooth transitions in highlights. Thin parts of plants naturally transmit light, fabrics have a subtle luster, skin is delicately lit, and characters and megaliths share the same light source; the color of the megalith can form very slight environmental reflections on adjacent fabrics and skin. Adopt a natural perspective that best sees the interaction relationship, using the curves and surface trends of the megalith to guide the line of sight to the character and the contact position. The megalith and the character are in a unified perspective and depth of field, the interaction area is clear, and the background is softly blurred. The image combines the fantasy of an exceptionally enlarged natural object, the credible texture of real-life shooting, and the gentle poetry of Chinese life. Avoid: ordinary-sized objects, megaliths receding into a distant background, characters posing mechanically, unclear contact relationships, floating and clipping, wrong perspective, deformed fingers, toy model feeling, plastic petals, excessive skin smoothing, excessive sharpening, heavy halos, neon colors, dense architectural decorations, anime illustrations, cheap game CG, text, watermarks, borders, collages, nine-square grids.

A young Asian woman sitting on a dark velvet sofa, wearing a simple black thin-strap long dress, the clothing fits the body but is not overly tight, the shoulders, neck, and collarbone become the visual focus. The figure's body is slightly turned, back leaning into the sofa, one hand naturally resting on the armrest, the other hand lightly placed on the leg side, legs naturally crossed, the posture is relaxed and stable. The scene is a modern apartment living room at night, thick curtains are half-drawn, next to her is only a warm-colored floor lamp. One side of the figure is illuminated by warm light, the other side falls into shadow, the face presents a clear boundary between light and dark. She looks directly at the camera, but with a restrained, quiet expression, not smiling, her eyes have a slight sense of distance. Black-gold and deep brown low-saturation tones, texture contrast between velvet, black dress, and skin. Real skin texture, natural hair strands, slight film grain, shallow depth of field, cinematic composition, mature, lazy, mysterious, high-end. Avoid nightclub style, avoid exaggerated sexy poses, avoid heavy makeup, avoid plastic skin, avoid cheap influencer sense.

[POSTER THEME]: {fill in the theme} [MAIN TITLE]: {fill in the title} [TOP SECTION]: {portrait / object archive / typography / image} [MIDDLE SECTION]: {information band / typography / image / transition} [BOTTOM SECTION]: {landscape / hero object / second portrait / typography} [COLOR PALETTE]: {fill in the palette} [VISUAL STYLE]: {editorial / museum / photography exhibition / cultural poster} [ASPECT RATIO]: 9:16 Create a sophisticated vertical editorial poster built around a clear three-part composition: top, middle, and bottom. Each section must have a distinct visual role, but the final poster should feel like one continuous design rather than three stacked rectangular panels. Use strong differences in scale, image density, typography, and negative space to establish hierarchy. The top section should create the first visual anchor through a bold image, oversized typography, or a strong subject. The middle section should act as the structural hinge of the composition. It can use a title, information field, narrow panoramic image, color band, or typography layer to connect the upper and lower sections. The bottom section should provide a second visual weight or spatial conclusion through a landscape, object, secondary portrait, or oversized type. Avoid rigid card-like boundaries. Let selected elements cross between sections through masking, overlap, irregular silhouettes, transparency, atmospheric transitions, foreground/background relationships, or typography extending beyond its original area. Typography must actively participate in the composition rather than simply sit on top of the image. Allow large letterforms to be cropped by the page, partially hidden behind subjects, overlap imagery, or interact with negative space. Use a strong editorial hierarchy: one dominant title, one clear secondary information layer, and small meaningful metadata such as dates, venue, category, or curatorial text. Small text should feel like real exhibition or editorial information, not decorative filler. Keep some areas intentionally quiet. Do not fill every empty space. The first read should communicate the main visual structure immediately. The second read should reveal the interaction between type and imagery. The third read should reveal the smaller information and details. Maintain a refined contemporary poster aesthetic with strong typography, deliberate cropping, controlled information density, clean print texture, and professional editorial spacing.

Rose champagne pink CCD soft flash night shot, a young adult East Asian woman, cool and exquisite oval face, wearing cold rose gold modified cheongsam, nude stockings and stilettos. She sits on a leather armchair in a dark walnut study, one leg naturally crossed, one hand holding a wine glass looking at the camera. 9:16, upper body to full legs, highlighting a plump bust, slender waist and long leg proportions.

Subject: Round-frame glasses and morning floral patterns Main Subject: In an indoor setting with flowers and dawn light, an adult woman sits on the floor, leaning her cheek against a white sleeve, a close-up photo in vertical orientation. The character is positioned relative to the center of the frame. Character/Expression: Light brown hair tied high in a loose bun, white scrunchie, thin bangs, fine back strands. Round metal-framed glasses, closed eyes, long eyelashes, small nose, lustrous pink lips. A quiet smile. Face turned diagonally downward. Clothing/Pose: Lace-trimmed bra with small blue flower patterns on off-white fabric and matching short bottoms, a white sheer long-sleeved cardigan draped slipping off the shoulders. Propping herself up with one elbow, using the hand wrapped in the sleeve to support the cheek. Small floral pattern swimsuit. Background/Lighting: Large window, courtyard, white carpet, flowers in a vase, transparent drink with lemon at the bottom right. Strong morning light from the upper right outlines the hair and shoulders. The main light source in the background is soft light from the window side. Composition/Lens: 3:4 vertical composition, lens aimed slightly from above towards below the chest. Face and round-framed glasses placed at the top left, floral patterns and white sleeve at the center, drink at the bottom right. Focus on the face, glasses, and lace. The character occupies a large space, concentrating the focus on the main subject with slight background blurring. Texture/Style: Photorealistic natural light photography. Softly captures the round-frame glasses, sheer white cloth, small flower pattern lace, backlit hair, and natural glow of the skin. Negative Prompt: Do not omit the round-frame glasses and the pose of supporting the cheek with a white sleeve; do not let the hair down.

Use the uploaded reference image as the STRICT PRIMARY AND HIGHEST-PRIORITY visual reference for the clearly ADULT Japanese woman’s FACE, HAIRSTYLE, HAIR COLOR/LENGTH, BODY PROPORTIONS, OUTFIT, POSE, CAMERA ANGLE, FRAMING, café exterior, lighting and overall composition. If anything below conflicts with the reference image, ALWAYS follow the reference. Create an ultra-photorealistic LIVE-ACTION iPhone 17 Pro vertical 2:3 Japanese street-fashion snapshot of the same clearly ADULT Japanese woman in her 20s standing casually outside a modern glass-front café on a bright early-autumn day. SUBJECT / FACE / HAIR: Preserve her recognizable facial identity exactly from the uploaded reference. Long dark chocolate-brown hair worn completely down in soft loose waves, reaching below the chest. Airy wispy see-through bangs and delicate face-framing strands. Fair realistic skin with fine natural texture, natural brown eyes, very light pink-beige makeup, softly rosy cheeks and muted glossy pink lips. Gentle relaxed expression with a soft closed-mouth smile, direct eye contact and slight head tilt. OUTFIT: Fitted dark taupe / charcoal-brown ribbed long-sleeve turtleneck knit top. High-waisted medium-light blue denim maxi skirt with a long straight silhouette and a prominent center-front slit rising to around the knee / lower thigh. Dark brown or black ankle boots. Small structured brown leather shoulder bag with a narrow strap. Delicate silver necklace with a tiny flower / clover pendant. POSE: Standing casually on the sidewalk. Upper body leaning slightly toward the camera. One hand holds a takeaway coffee cup around chest height. The other arm hangs naturally down beside the body, hand relaxed near the front slit of the skirt. One leg slightly forward so the front slit naturally opens and reveals part of the leg. Relaxed shoulders and natural posture. PROP: Simple white takeaway coffee cup with black lid and kraft paper sleeve. Minimal modern coffee-shop branding, small “%”-style symbol on the sleeve. CAMERA / FRAMING: NOT a selfie. Photographed by another person from directly in front. Camera around chest-to-eye level with a very slight downward angle. 28–35mm equivalent lens. Vertical 2:3 composition. Three-quarter to near-full-body fashion portrait. Subject occupies approximately 85–90% of the frame. Frame from the top of the hair to below the knees / boots, with minimal empty space. Natural realistic perspective with no wide-angle distortion. ENVIRONMENT: Modern Japanese urban café exterior. Large glass windows and black metal frames directly behind her. Warm café interior visible through the windows. A black sidewalk chalkboard / menu sign positioned to one side. Minimal greenery near the entrance. Clean paved sidewalk with a few softly blurred pedestrians in the distance. Subtle window reflections and realistic city atmosphere. LIGHTING: Bright clear early-autumn daylight with warm sunlight coming from camera-left / behind. Soft backlight catching individual hair strands. Natural highlights on the face, knit texture and denim. Realistic directional shadows on the pavement. Apple Smart HDR with balanced highlights and natural skin tones. IMAGE QUALITY: Ultra-photorealistic LIVE-ACTION iPhone 17 Pro photography, realistic skin texture, detailed ribbed knit, authentic denim weave, individual hair strands, subtle depth of field, softly blurred background, accurate anatomy and polished Japanese SNS street-fashion aesthetic. NEGATIVE: selfie, phone in hand, ponytail, twin tails, cropped jacket, oversized sweater, mini skirt, jeans pants, shorts, stockings, tights, sneakers, anime, illustration, CGI, doll-like skin, excessive makeup, distorted anatomy, malformed hands, extra fingers, fused fingers, duplicated limbs, warped legs, fisheye, excessive blur, text overlay, watermark

[Subject Description] A photorealistic full-body portrait of a young adult East Asian woman with a hourglass figure, elegant feminine physique, long legs, and natural body proportions. She has fair warm-toned skin, a softly oval face, delicate facial features, dark almond-shaped eyes, naturally defined eyebrows, a small straight nose, and soft pink lips. Her expression is calm, composed, and subtly confident, looking directly toward the camera. She has long, straight dark-brown to black hair with a natural side part, smooth texture, and softly framing strands around the face. She wears a fitted black long-sleeve turtleneck top with a high collar and slightly gathered fabric around the waist and hips, paired with fitted black high-waisted short shorts. She wears sheer smoky-gray thigh-high tights with distinctive thin red ribbon-like crisscross bands wrapping diagonally around both legs. Black pointed-toe high-heeled pumps complete the outfit. One arm hangs naturally beside her body while the other is bent upward with her hand near her hair/shoulder. Her legs are positioned naturally with one leg slightly crossed in front of the other. She possesses the best head-to-body ratio, a perfect, curvaceous, S-shaped female figure,Hourglass figure,long legs with perfect leg lines, and a slender waist, perfect foots,perfect foot lines [Scene/Background] An elegant warm-toned residential interior with cream-beige walls, decorative wall molding, and light natural wood flooring. The woman stands near a doorway or wall panel. On the right is a large rounded architectural opening with an arched frame and a distinctive circular-topped window featuring dark muntins. The environment is refined, minimalist, and softly luxurious, with clean architectural lines and uncluttered surroundings. [Lighting/Atmosphere] Warm natural-looking indoor light mixed with soft ambient illumination. Gentle golden-beige tones, subtle directional light from the left/front, soft shadows cast onto the wall and floor, realistic skin highlights, and natural tonal gradation. Calm, intimate, elegant, sophisticated atmosphere. [Composition/Viewpoint] Vertical full-body composition, the entire figure visible from head to shoes. Eye-level to slightly low camera perspective, realistic smartphone/casual fashion-photography viewpoint. The woman is centered slightly right of frame, standing several steps away from the camera. Full-body framing with ample architectural background, natural perspective, realistic body proportions, and moderate depth of field. Keep the pose relaxed and anatomically natural. [Style Reference] High-end photorealistic fashion photography, realistic contemporary lifestyle portrait, natural human anatomy, authentic skin texture, realistic hair strands, physically plausible fabric and material rendering, refined editorial aesthetic, subtle cinematic realism. Avoid exaggerated beauty retouching, artificial plastic skin, anime styling, excessive glamour, [Quality Parameters] Ultra-detailed photorealism, high-resolution image, sharp facial features, realistic eyes, detailed hair, accurate hands and fingers, natural skin pores and texture, realistic translucent tights and fabric behavior, physically accurate shadows and reflections, balanced exposure, subtle depth of field, clean image structure, professional photography quality, natural color rendering, no text, no watermark, no distorted anatomy, no extra limbs or fingers,No cropped limbs or truncated feet.

Title: Minimal Studio Editorial SCENE: A clean minimalist fashion studio with a seamless light gray backdrop and matte gray floor. The environment is simple, uncluttered, and designed to keep all attention on the subject and outfit. The overall mood resembles a premium Korean fashion campaign or LOOKBOOK photoshoot. Portrait orientation in a 9:16 aspect ratio. Full-body composition from the top of the head to the shoes. The subject occupies approximately 80–85% of the frame. Camera positioned slightly below eye level with a natural 50mm perspective, producing realistic body proportions without distortion. SUBJECT: A beautiful adult South Korean woman in her early 20s with warm fair porcelain Korean skin, subtle peach undertones, expressive almond-shaped dark brown eyes, refined straight nose, naturally full glossy lips, and soft natural Korean makeup. She has a naturally slim feminine physique with graceful shoulders, elegant collarbones, naturally full proportional bust with realistic softness and weight, slim toned waist, subtle hourglass silhouette, naturally defined abdomen with soft oblique lines, realistic navel, gently rounded hips, naturally fuller thighs, long slender legs, and realistic anatomy. MOVEMENT / FACIAL EXPRESSION: She stands confidently with most of her weight resting on one leg, creating a relaxed natural S-shaped posture. Both hands rest naturally behind her lower back, gently opening her shoulders and creating a clean editorial silhouette. Her chin is lifted slightly while she looks directly toward the camera with a calm, confident expression. Lips softly closed, conveying effortless elegance without appearing overly serious. SKIN / TEXTURE: Warm fair Korean skin with realistic pores, subtle peach fuzz, healthy natural luminosity, and delicate skin texture. The abdomen shows gentle natural definition around the waist and oblique lines while maintaining realistic anatomy. Avoid excessive muscle definition or artificial skin smoothing. OUTFIT / STYLING: Modern minimalist fashion styling. She wears a white fitted bandeau tube top made from smooth premium stretch fabric with a clean seamless finish. The bandeau fits naturally across the bust with realistic fabric tension and subtle folds. She pairs it with light-wash ultra-low-rise wide-leg denim jeans featuring a relaxed oversized silhouette, authentic faded denim texture, subtle distressed details, realistic fabric stacking around the ankles, and a naturally low waistband resting comfortably on the hips. She wears clean white low-top sneakers. No jewelry, logos, or distracting accessories. HAIR: Short dark chocolate-brown bob gathered into a small high ponytail at the back of the head, creating a playful sporty look while preserving the short length. Soft wispy bangs naturally frame the forehead, with delicate face-framing strands around the cheeks. The ponytail is short and compact, maintaining a recognizable bob silhouette rather than resembling long hair. LIGHTING: Soft professional studio lighting with a large diffused key light positioned slightly above and in front of the subject, balanced by gentle fill lighting to preserve realistic skin texture and subtle shadows. Soft even illumination across the face, shoulders, abdomen, and jeans while preserving natural depth and realistic tonal transitions. Background evenly lit with a smooth neutral gray gradient. STYLE / QUALITY: Ultra-photorealistic Korean fashion editorial photography captured using a professional full-frame camera with a 50mm prime lens. Premium studio-quality image with realistic skin texture, visible baby hairs, accurate fabric rendering, true-to-life colors, crisp details, highly realistic human anatomy, accurate hands and fingers, subtle editorial color grading, premium Korean LOOKBOOK aesthetic. Absolutely no CGI, AI-rendered appearance, plastic skin, exaggerated anatomy, or excessive beauty filtering.

Knee-up cowboy shot, waist-level view. A 20s seductive stunning Japanese or Korean woman with small metallic earring detail, subtle understated jewelry styling and small teardrop pendant necklace detail, delicate understated jewel accent, 94-58-92 body proportion anchor, full bust, narrow defined waist, rounded hips, dramatic but lean bust-waist-hip curve, young beautiful Japanese transparent face, soft natural features, clean gentle eyes, airy fresh beauty, medium-to-long hair with a deep side part, subtle natural bends, asymmetric face-framing shape, lightly wind-swept movement, gentle directional flow, a few naturally loose strands, controlled overall silhouette, soft black-tea brown hair, muted brown-black salon tone, glass skin, dewy luminous skin texture, soft natural smile, relaxed brows, gently narrowed eyes, softly parted lips, lifted cheeks. She wears oversized upper-body proportion with roomy shoulders and body, off-white silk camisole top, delicate straps, fluid sheen, ultra-low-rise waistband sitting very low on the hips, off-white seamless lace thong bottoms, ultra-thin side straps, low-rise V-front, minimal back panel, round-cut diamond navel piercing at the belly button, clear circular gemstone, slim polished metal ring setting. She lies on a bed that dominates the composition, with both of her knees bent, one heel drawn close to the hip, and one leg crossing loosely over the other in a soft asymmetrical curve, both arms reaching overhead with relaxed shoulders and open hands, her head resting in line with the upward-facing torso. Pillows, cushions, and a casually rumpled comforter rest on the bed, with one everyday item such as a book or phone nearby, creating a lived-in feeling. Indoor window-daylight environment, natural window-lit room brightness, window-frame pattern light cast on the subject, framed daylight shadows. Yoshihiko Ueda-inspired quiet natural image language. F/2.8-style shallow depth of field, clear subject plane. Soft-tonal Japanese portrait color grade, luminous pale highlights, gentle bloom, lowered micro-contrast, airy contrast.